I was lucky to meet up with Doug Holder of Ibbetson Street Press recently, who wrote about my good fortune in being selected as a Somerville Arts Council Literature Artist Fellow this year and my efforts toward the 100-year commemoration of the Armenian Genocide. Here’s his article from the Somerville Times. Thanks Doug!

 

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Somerville’s Sarah Ignatius met me on a warm spring morning, at my unofficial office in the backroom of the Bloc 11 Café in Union Square. Ignatius is the Executive Director of the Political Asylum/Immigration Representation Project in Boston, and also a Somerville Arts Council Grant Fellow, who presented a talk and visual presentation at the Somerville Public Library entitled Remembering 1915: The 100-Year Commemoration of the Armenian Genocide. She is also the author of a young adult novel (not yet published) The Devil’s Kaleidoscope. The novel concerns a 14-year-old Armenian boy caught up in the genocide.

Sarah IgnatiusIgnatius has lived in a carriage house in the Union Square section of Somerville since 1992. She was born in Boston, but has lived in many other places. She told me, “I love Somerville, the community events, the special dynamic that the city offers. Some of the homes here are so beautiful, and I love the public spaces.”

Ignatius, in her role of the Executive Director of the Immigration Representation Project, helps immigrants from Africa, the Middle East, and elsewhere to achieve asylum in this country. She claims she has a 90% success rate. Prominent law firms like Ropes & Gray and others send their young lawyers to train at the project, and in turn they provide valuable services for asylum-seekers.

The Armenian Genocide, Ignatius’ focus as of late, occurred in 1915 when 1.5 million Armenians were slaughtered by the Turks. Ignatius told me that she was delighted with the Pope’s decision to call the Armenian Holocaust a “genocide,” a word that has been quite controversial as of late. Ignatius’ presentation at the Somerville Public Library consisted of a PowerPoint presentation, along with a slideshow, which is meant for the Armenian and non-Armenian.

Ignatius’ young adult novel, The Devil’s Kaleidoscope, has as a 14-year-old boy as the protagonist, who is caught up in the genocide. According to Ignatius, “The book does not focus on violence, and is geared to promote peace in a world that is often filled with blood lust.” Ignatius said she had a great deal of help with her book from teachers at Grub Street in Boston. And indeed, Ignatius has another novel in the works that concerns two girls, 18 years old, Berkeley, the 70s—well you get the picture.

Ignatius wished me a quick goodbye, because like most of us in the Paris of New England, we always have a lot to do, people to meet, and many miles to go before we sleep.

http://www.thesomervilletimes.com/archives/60650

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“I know what my purpose is,” Sandra Bland said, as recounted by her mother. “My purpose is to go back to Texas and stop all social injustice in the South.”#sayhernameposter

I’m sure she didn’t think she’d have to die trying.

But she did show the world how immense that calling is. It’s a horrible irony that she was excited about working at her alma mater, Prairie View A&M University, as an outreach coordinator. Now, everyone does know all about the area – where officers waste tax-payers’ money arresting people for imaginary infractions, divert public safety personnel as back-up in situations they created, require tow trucks on the scene of illegal lane changes, and so on, rather than actually fight crime.

Her turn signal infraction wasn’t even that. From the video, you see the road going from one lane to two as Sandra Bland drove through an intersection. To stay in the lane closest to the right side of the road, out of the passing lane, a driver has to move to the right, into the newly created lane, which is exactly what she did. It’s a road design issue, which causes a cautious driver to change lanes in order to stay in the slow lane.

Trooper Brian Encinia stumbled around verbally on the video about what the charge was. Just why was he arresting her? He clearly had no idea since he had no injuries and Sandra Bland had not committed a crime. Failing to use a blinker and smoking in your own car are not criminal offenses.

She repeatedly asked him why she was being arrested, and the trooper never answered. He had to make up a reason after aiming his taser at her, handcuffing her and slamming her head against the ground.

As for the race question, white people are rarely pulled over for changing lanes without signaling. However, I was and I’m white. It was one night in Seattle several years ago on a road that skirts the edge of a predominantly African-American neighborhood. I changed lanes to pass an annoyingly slow car. Of course I didn’t signal and a police car pulled me over. As the white officer came up beside the driver’s side window and peered in, an unmistakable look of shock came over his face. Apparently, he meant to get me for driving while black. He let me drive off, after advising me to be careful and reminding me not to change lanes so abruptly in the future. No ticket, no taser, no handcuffs, no smashed head, no jail cell, no death.

Sandra Bland was brave enough to narrate the injustices as they happened to her in that video, which is so hard to watch. It is our task to continue her fight for justice. Her voice is the voice of our conscience, urging us to speak out against injustice everywhere.

We know it’s what she would want us to do.

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This is my first blog to launch my website, so why did I choose these images?

Since I’m writing historical fiction, I wanted images evocative of the past. And I like clickable images, but I didn’t want them floating in space. I had to put them somewhere. A mantel would have worked, but then I’d have to decide on a fireplace, and a fire.

So I picked an old steamer trunk, like something Tintin and Captain Haddock might have packed, although I have no idea what they’d put inside since Tintin never changed out of those three-quarter pants, not even in the snowfields of Tibet. So that’s the trunk.

The kaleidoscope was easy since my YA manuscript is The Devil’s Kaleidoscope, about a 14-year-old Armenian boy named Arakel, caught up in the genocide 100 years ago. In May 2015, around the time of the 100-year commemoration of the genocide, I was preparing a presentation about Armenia, where I planned to end by reading a chapter from the manuscript. I found an old, creepy-looking kaleidoscope for the slide, which was in the background while I read. That’s this image.

The old leather-bound books? I like them. They look classy. Since a leather-bound book figures in The Devil’s Kaleidoscope, that was another obvious choice.

The lantern makes me think about danger and bravery, like waiting out a hurricane with no water or power, or making the rounds after midnight on a night watchman’s circuit.

The pitcher is here because . . . I’m not sure why. I like its shape and I wanted something hand-made and hand-painted. The running tile across the top is the same idea — hand-painted Armenian tile.

So that’s it. I might add more once I finish my second novel, which I am only starting now. That one features two girls who drop out of college during 1970, live in Berkeley and get into a lot of trouble with boys, drugs and life in general. Maybe a pair of wire-rim glasses or love beads draped over the pitcher will appear one day. We’ll see.

What images inspire you?

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